My family and I were at a local playground a few evenings ago. I saw something curious on the side of a little playhouse. It looked like some sort of toy sticking out horizontally from the outer wall. I looked closer and it was moving!
It was a cicada. And we caught it during it’s moment of emerging from it’s exoskeleton (also known as the exuviae). I couldn’t help but think about how the new comes out of the old…..
“Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here!”2 Corinthians 5:17, NIV
This pandemic crisis is causing a lot of industries and sectors of work to reevaluate the core of who they are and what they do.
I once read about the difference between form and function. The example the author gave was about the railroad companies of the 19th century. If their focus would have been on function over form, then they would rule the skies in the 21st century. But we don’t have B&O Airlines, do we? You see, the railroad companies of yesteryear were focused on form, which is a long train on a track. Their function was transportation.
Remember Netflix in its early years? It was a DVD-by-mail service. You would pick what DVD you wanted to watch and they would mail it to you. Then you would return it and pick your next DVD. But when online streaming became more viable, they changed their entire model over to streaming and ditched the form of the DVD model. That’s because Netflix chose to prioritize function (entertainment) over form (DVDs or streaming).
For circus entertainers, we need to remember that our function is more important than the form in which it takes (though both are important and to a certain extent, inextricably linked, I believe). This means that a pandemic shutdown may force us to alter our form, but it does not shutdown our functionality.
Personally, I lament this shift in that I would much prefer to entertain crowds in person. But I am confident that this is only for a season and that it is contributing to helping keep vulnerable people safe.
Vaudeville (live variety shows) was the form of entertainment in early 20th century America. But then came the moving picture (“movies”), which drastically reduced the demand for vaudeville. Some of the most talented actors and actresses of early Hollywood came straight out of the vaudeville circuit (Judy Garland, Mickey Rooney, etc). So the function of entertainment lived on, just in a different form.
Now think about the circus – Ringling may have shut down a few years ago. But the spirit (the function) of the circus lives on and is taking on new forms in the 21st century (such as Cirque du Soleil). And even in the pandemic crisis, circus performers are doing creative things to keep entertaining audiences.
What does form and function look like in your work? Are you seeing a more clear delineation between the two during this pandemic? I am seeing it clearly in the circus and live entertainment industry. We are all still artists. Our function remains the same (providing entertainment, joy, laughter, suspense, welcoming and bringing people together, etc). But the forms we take on during this time look a little different. We deliver our function via video, live streaming, and even in person on streets, driveways, and small backyard gatherings.
If you want me to entertain in a creative way for you and your group during this season or beyond, visit this link to get a quote for my work. Thanks for reading!
Hello! In today’s episode, we are finishing up our series called “Children of the Bible.” Over the past few weeks, we learned about different kids in the Bible and how God used them for big and important things.
Click on this link to find all the Eternity Kids Club episodes. Simply click on the one you want to watch: https://www.facebook.com/eternitychurch.org/live/
Join Larry the Lizard and some of my other friends as we learn about the Bible and have fun at the same time. Warning: there will be flannel graphs! Every Wednesday and Friday at 11:30am EST at the Eternity Church Facebook page.
From online concerts to midday doodling workshops, artists around the world are getting creative with ways to continue offering their gifts to society in a time when the curtains are forced to close. When I say “artists,” I’m speaking broadly. I mean everything from the visual arts to the performing arts to the comedians, jugglers, and magicians. Artists, are, of course labeled “non-essential” in a time like this. After all, drawing or singing or juggling won’t heal coronavirus. So we (I happen to be a juggler) support and applaud all the “essential” vocations out there. This is an important time where the rest of us need to go into hiding while the medical staff, first responders, and other essentials do their good work to help those who need them most.
The rest of us in our hiding holes, though, have found ourselves in a unique time in history where many of us around the world have the technology to continue connecting with one another. And it has been remarkable to see how the artists are coping so far.
First of all, artists are stewarding their talents for benefits and the raising of funds for a whole variety of worthy causes that help fight the fight against Covid-19. Secondly, the artists are rising to the occasion by providing healing for the souls and sanity of the people of the world. Just a few nights ago, a small band of musicians socially distanced themselves from one another on a front yard in my neighborhood and serenaded the small units of passing humans out for their evening exercise walk. Thirdly, and I think most importantly, many artists are simply doing whatever they can right now to keep doing their art. Why? Because it is in us.
For many of us, serving the good of society through our varied forms of art is a calling that we feel has been placed upon us. You cannot make us stop loving our art and loving the world through it. If the government shuts down our ability to perform at live events, we will juggle or play the piano or walk on a tightrope in our homes all alone with a small device in front of us that says “recording” and then post it for you to see. In fact, we still do it even when none of you are watching. But we want you to see because it is our gift to you. And we hope it brings joy, laughter, distraction, sanity, and healing to your soul.
So here is the part where I ask for your help on behalf of the artists of the world. I have had a number of friends approach me and ask how they can help, knowing that the starving artists and jugglers like me are getting a “time out” from our usual live shows and hence, streams of income. I’d like to list some answers to that question for you, and some of them don’t even involve money, because it’s really not about the money. But first, a word about the priorities here….
There are others with much greater needs, like the people and their families who are dying and suffering from this pandemic. We all need to help them first. Then there are the first responders who need all the support they can get right now, part of which comes in the form of the rest of us just cooping up for a while. But while we support these people first, I humbly ask for the ears of those who have the extra means right now (which is not everybody): Let us not forget about the artists and the other “non-essentials.” We have families to feed and water bills to pay. For many of us, our flow of income has either dropped significantly or vanished altogether. And we want to keep doing what we do in service to the world both now and when things get back to some normalcy.
Here are five ways you can help your local artists during the coronavirus crisis:
- Words of encouragement. I can attest that the greatest gift my friends have given me during this time is just reaching out and saying, “Thinking of you…how are you doing?” Artists are humans too. And we need that same touch that everyone needs – to know that we are loved and that our work still matters in this world.
- Sign up for our online classes. Many of us are teaching our art online, or otherwise putting our art out there in the virtual universe for the love of art. We want to share what we do and teach others the joy of our art. This is a special time where many people want to take up that hobby they’ve always put aside learning. We’re ready for you. Sign up for our classes, whether free or paid.
- Watch our art and tell us what it means to you and why. We don’t get to have art shows or live in-person audiences right now. Those are the times we hear from you and interact with you about what we made for you. Watch our online programs and send us messages and comments about your experience with the art. If you really liked what you saw, throw some money in the hats known as PayPal and Venmo. We’d be happy to give you our email address.
- Purchase vouchers for future shows. This makes you a “patron saint.” We will personally call the Pope and ask him to add you to the list. We don’t really want a hand-out of cash (though I’ve never met an artist that would turn that down, myself included). We will be able to do our show for you someday, so please give us the gift of your support and your trust by buying full show vouchers or gift certificates towards the partial cost of a show for a far-off future date. We pretty much lost our shows for half of March, all of April, all of May, and who knows how much longer. Call us and we can talk about the details. This is more than a gift of money. You are giving us the gift of the dignity to serve you when the time for it comes.
- Buy our merchandise. Many of us sell merch (or the very art we make) whether it be music albums, postcards, or juggling props. The supply chains are still open, folks. Support your local artist by scooping up some swag and early Christmas gifts. Most of us can sell over the internet with ease.
“A jester unemployed is nobody’s fool.”-Danny Kaye in the The Court Jester (1955)
Your help is a gift to artists. If you patronize the arts now, you will be rewarded when the time comes for us all to gather in large groups once again. Because you know who you’re going to call to help entertain those celebratory crowds? The artists. We’re waiting in the wings. And we can’t wait to see you in person again.
This Friday morning, I will be live streaming a juggling instructional class on Facebook. It is a perfect opportunity to do something hands-on and interactive with the kids. But all ages are still welcome. I’m looking forward to the live lesson experience as I can answer comments and questions in real time. Spread the word and I’ll see you there. Here is the link to the Facebook event, which will happen on my Facebook fan page at 10am Eastern, Friday, March 20th.
If you read or study about calling and vocation (which, by the way, comes from the Latin vocare, “to call”), you will most likely come across this poetic quote by Frederick Buechner:
“The place God calls you to the place where your deep gladness and the world’s deep hunger meet” (1993, Wishful Thinking: A Seeker’s ABC, p. 119).
In that one sentence, Buechner sums up an ocean of meaning found in the Christian idea of calling. Biblically, calling is primarily about God calling humans to himself (such as Jesus calling the disciples to follow Him). But you can also find examples of people in the Bible being called/appointed to specific roles or work (Moses, Samuel, David, Jeremiah, Esther, Paul, the list goes on – even Adam and Eve were called into existence and then called upon to be fruitful gardeners).
As a juggler/performer, I am particularly drawn to the passage in Exodus 31 about two lesser known fellows named Bezalel and Oholiab:
Then the Lord said to Moses, “See, I have chosen Bezalel son of Uri, the son of Hur, of the tribe of Judah, and I have filled him with the Spirit of God, with wisdom, with understanding, with knowledge and with all kinds of skills— to make artistic designs for work in gold, silver and bronze, to cut and set stones, to work in wood, and to engage in all kinds of crafts (Exodus 31:1-5, NIV).
The Hebrew word for “chosen” (qara) in that first sentence can also be translated “called.” Here we have an example of God calling these two people to be artists in the beautification of the tabernacle. This is also the first time in Scripture we see someone filled with the Spirit of God. Being an artist can truly be a calling (just ask any artist!). The exciting thing is that we see in Scripture that God is the one who calls the artist. He is also the one who equips the artist with skills and fills the artist with His Spirit.
May the Lord fill you with His Spirit and show you the wonderful things to which He has called you!
Here’s a super easy activity that kids love. Create an instant rainbow (or at least a partial one) using just two household items. Here’s what you need:
- a flashlight
- a CD (compact disc)
Remember those ancient relics called CDs? If you were born before the year 2000, you probably have a ton of them rotting away in a closet. Here’s a fun way to use one for an alternative purpose that doesn’t damage it.
All you need to do is shine the flashlight onto the surface of the CD (the side the music is on). The light will reflect off the CD and project a rainbow onto the wall or ceiling. It’s best if you shine the light at an angle onto the CD. It also is best to do it in a dark room for the best rainbow effect. Closets and bathrooms are easy to get really dark with the doors closed and lights off. If you’re in a large room with lots of kids, just get it as dark as you possibly can for the best effect.
It’s a perfect activity to help illustrate the rainbow in the story of Noah and the Ark in Genesis 9:12-17.
If you don’t see your rainbow, don’t worry. Just keep adjusting the angle of your flashlight (or the angle at which you hold the CD). And look all around the walls and ceiling to make sure you find it. It takes a little trial and error, but you’ll find it. There it is!
Who loves rainbows?
Everybody loves rainbows.
We just wrapped up our third annual youth circus arts camp in Richmond, Virginia. This is the only camp of its kind in the state of Virginia. For two weeks every August, a few dozen youth participate in a day-camp where they learn how to run away with the circus! We teach them juggling, hooping, clowning, puppetry, acting, silks, and more!
It was an honor to be one of the juggling instructors. I’m so proud of all the kids for learning things like the flower sticks, the Diabolo, the spinning plates, and basic juggling. But most importantly, the kids learn about friendship, community, and the joy of sharing our newfound skills with others. That’s one of the things I love about the circus. It is an opportunity for a group of people (the performers) to share a little joy and wonder with the public.
At the end of the two weeks, our campers did just that. They had a chance to demonstrate their newfound skills with their friends and family in the final Friday showcase. Here are some pictures….
If you want to know more about this circus arts camp, check out the home page for it here: https://www.puppetsoffbroadstreet.org/campcarnival.html
And please let me know if you want to be in the loop about this arts camp for future years. We look forward to growing this camp into an even larger and more exciting camp in years to come!
The GaGa ball pit game is becoming more and more ubiquitous as each summer camp season passes by. It’s an incredibly fun and simple game. It is like dodgeball in a pit where you hit the ball with your hands and you get out if the ball hits you on the legs or feet. Here are some variations from the common rules that you can choose to add…
I have discovered that there are some fun variations to the game. And even the “house rules” of each group who plays can vary from group to group. Here are some of the variations I’ve come across over the years:
- Knees and below versus legs and below: This is a rule that dictates how you get out. Some kids like to play where the ball must hit the knees or below for the player to be out. Other groups might play where a hit anywhere on the leg (waist down) is an out. You could even do shins and below (meaning that a hit on the knee means you’re still in). Whichever route you go, make sure it is clear and everyone agrees to the same rule at the beginning of play.
- Getting back in the game: This is a fun variation that says that if you’re out but you catch the ball “clean” (meaning it doesn’t hit the ground outside the pit), then you’re back in the game and the person who last touched the ball in the pit goes out. A word of warning: I saw a group once play where whoever retrieves the ball outside the pit (whether it hits the ground or not) can get back in the game. It was a disaster because the kids chased after the ball and wrestled for it in hopes to get back in the game. Someone could easily get hurt in a situation like that. So I like to say it needs to be a “clean” catch outside the pit (and you cannot reach in past the pit wall to try to catch it).
- Double Ball GaGa: I have provided a video example of this variation. You play the game with two balls at once and all the same rules apply. It’s like when you had two balls going at once in the old pinball machine. Just make sure you always look behind you!
What variations of GaGa ball have you seen or played?