Consecrating Our Work Unto the Lord
The following is the text of the sermon that I preached at Eternity Church in Richmond, VA on January 30, 2022:
Consecrating Our Work Unto the Lord
15 The Lord God took the man and put him in the garden of Eden to work it and keep it.
17 And to Adam he said,…. cursed is the ground because of you; in pain you shall eat of it all the days of your life; 18 thorns and thistles it shall bring forth for you; and you shall eat the plants of the field. 19 By the sweat of your face you shall eat bread,
30 Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; 31 and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, 32 to devise artistic designs, to work in gold and silver and bronze, 33 in cutting stones for setting, and in carving wood, for work in every skilled craft.
37 Bezalel made the ark of acacia wood. Two cubits and a half was its length, a cubit and a half its breadth, and a cubit and a half its height. 2 And he overlaid it with pure gold inside and outside, and made a molding of gold around it.
27 They also made the coats, woven of fine linen, for Aaron and his sons, 28 and the turban of fine linen, and the caps of fine linen, and the linen undergarments of fine twined linen, 29 and the sash of fine twined linen and of blue and purple and scarlet yarns, embroidered with needlework, as the Lord had commanded Moses.
30 They made the plate of the holy crown of pure gold, and wrote on it an inscription, like the engraving of a signet, “Holy to the Lord.” 31 And they tied to it a cord of blue to fasten it on the turban above, as the Lord had commanded Moses.
17 as it is written, “I have made you the father of many nations”—in the presence of the God in whom he believed, who gives life to the dead and calls into existence the things that do not exist.
17 And whatever you do, in word or deed, do everything in the name of the Lord Jesus, giving thanks to God the Father through him.
1 Peter 4:10
10 As each has received a gift, use it to serve one another, as good stewards of God’s varied grace: 11 whoever speaks, as one who speaks oracles of God; whoever serves, as one who serves by the strength that God supplies—in order that in everything God may be glorified through Jesus Christ. To him belong glory and dominion forever and ever. Amen.
My First Job
Do you remember your first job? My first job was working as a waiter and dishwasher at Gayton Terrace, an assisted living community in the far West End of Henrico County. I was in high school at the time, about to get my learner’s permit for driving, and my parents were not the type to pass out free cash to their kids. Not that they had much anyway. So the first few months on the job, my mother drove me to and from work.
On that first day, I showed up at the kitchen of this assisted living home of about a hundred residents. The dining hall manager handed me my nametag, a maroon apron, and taught me how to use a punch clock (“ka-chunk”). I was set to earn a cool $4.25 an hour – minimum wage in 1995. Once I set foot in the kitchen, the first task I was given was loading and running the dishwasher.
Now, I don’t know if anyone here has experience with washing dishes in a commercial kitchen, but it is not glamorous. You scrape other’s people food off plates, liquids are splashing everywhere, the massive dishwasher is loud and hot. I learned the ropes and they left me alone with the dishwasher for the rest of my three-hour shift (the maximum number of hours a minor could work on a school night).
I still remember that three-hour period fairly clearly to this day. The reason is because it was not at all what I expected work to feel like in this world. Sure, my parents raised me to work hard, do my chores, and find satisfaction in a job well done. But this felt different. Here in the Gayton Terrace kitchen I found myself cleaning other peoples’ dishes and submitting to orders from bosses that were not my parents. I felt a very palpable sense of despair during those three hours – because I reasoned that I was going to have to work for the rest of my life to provide for myself and make a living. And no matter the work I envisioned myself doing for the rest of my life, I figured it would be hard and toilsome, like scrubbing the dishes of strangers.
In hindsight, I can guess that my despair stemmed from two sources: first is the fact that I am a human and work on this earth is hard and not always fun. Secondly (and related to the first), I was raised in the church, where more often than not the meaning and theology of work is cast in the light of Genesis chapter 3 rather than Genesis chapters 1 and 2.
Work in Genesis 1-3
Let me explain. Have you ever seen a painting or depiction of Adam and Eve in the Garden of Eden? If you do a quick survey of Adam and Eve in art history, there are generally two categories of paintings: before the Fall (when they sinned against God by partaking of the forbidden fruit) and after the Fall. The “before the Fall” paintings usually show Adam and Eve lounging (or maybe strolling) in the verdant paradise garden as if they’re on the promenade deck of a luxury cruise ship, surrounded by happy creatures and colorful foliage. The “after the Fall” paintings depict Adam and Eve in some state of shame, darkness, or performing grueling labor upon the land outside the boundaries of Eden. Now, the image of Adam and Eve toiling by the sweat of their brows is a Biblical one. After they sinned, the Lord did said to Adam: “…cursed is the ground because of you; in pain you shall eat of it all the days of your life; 18 thorns and thistles it shall bring forth for you; and you shall eat the plants of the field. 19 By the sweat of your face you shall eat bread…”
We often view the work of our hands – our Monday through Friday work in such a light. It is true that human work has been tainted and cursed by the fallenness of humanity. But work is not the result of fallenness. Let me say that a different way: while work and labor can be toilsome, difficult, and even exploitative when abused by bad actors, work itself is not inherently an evil thing. I want to make the case that work is inherently of God – that work is originally sacred – and that our vocational endeavors, from banking to preaching to grandparenting, can and should be redeemed by Christ, empowered by the Holy Spirit, and consecrated up unto God the Father as a holy sacrificial offering.
Here is how we know that work is originally good and of God. In Genesis chapter 1, God is the first one who works when he creates the universe. In Genesis 2, we know this creating is considered work because he rested “from all his work” on the seventh day (Gen 2:2). Even nature works: God mandated the land to “produce vegetation” (Gen 1:11) while he ordered the moon and sun to administer over the night and day (Gen 1:14-18). He also orders the humans to work. He called them to “rule” over the creatures (Gen 1:26), to “be fruitful and increase in number,” and to “subdue” the earth (Gen 1:28).
But in Genesis 2:15, we see a very telling verse that I believe that many of those artists of history missed out on when depicting Adam and Eve in the garden before the Fall. The text says in Genesis 2:15: “The Lord God took the man and put him in the Garden of Eden to work it and keep it.” You see, even before we sinned, we were called to steward God’s creation and to create within it. There is, therefore, such as thing as sanctified work. Yes, our sin came and messed up work. But God in his redemptive love through Jesus Christ has called us to work in our Father’s world in ways that bring heaven to earth. Where there is darkness in work, we can bring light. Where there is brokenness in the world of work, we can bring healing. Where there is chaos in the marketplace, we can bring order. Where there is division and injustice in the workplace, we can be the bearers of reconciliation and righteousness – infused with the resurrection power of God, who, according to Romans 4:17, “gives life to the dead and calls into existence the things that do not exist.”
Cobblers and Street Sweepers
I believe this redemptive approach to our working lives applies to all levels of work and most any type of work. The apostle Paul says in Colossians 3:17: “And whatever you do, in word or deed, do everything in the name of the Lord Jesus, giving thanks to God the Father through him.” Martin Luther the Reformer said in the 1500s:
“Therefore, just as Those who are now called ‘spiritual’ – priests, bishops or popes – are neither different from other Christians nor superior to them….A cobbler, a smith, a farmer, each has the work and office of his trade, and yet they are all alike consecrated priests and bishops, and every one by means of his own work or office must benefit and serve every other, that in this way many kinds of work may be done for the bodily and spiritual welfare of the community, even as all the members of the body serve one another.”[i]
Several centuries later, another Martin Luther, the Reverend Dr. Martin Luther King, Jr, said something very similar:
If it falls your lot to be a street sweeper, sweep streets like Michelangelo painted pictures, sweep streets like Beethoven composed music, sweep streets like Leontyne (leon-teen) Price sings before the Metropolitan Opera. Sweep streets like Shakespeare wrote poetry. Sweep streets so well that all the hosts of heaven and earth will have to pause and say: ‘Here lived a great street sweeper who swept his job well.’[ii]
One day I was mowing grass in my front yard and my postal worker came walking up the sidewalk to deliver our mail. I powered down the mower to greet him and we exchanged pleasantries. His name is Nestor, and he has always been a friendly, faithful, dedicated postal worker. He handed me some letters and turned around to head to the next house. As he walked away, I thanked him for his great work as a postal carrier. He responded, “I do it for the Lord!”
I didn’t stop him to ask what he meant by that. He was on a delivery schedule after all. But as I turned my mower back on and zig-zagged through my yard I couldn’t help but ponder that one line from a postal service worker. I don’t even know if I needed to ask him what he meant, though, because he already exhibited what “doing it for the Lord” means in the way I have witnessed his work – cheerful, humble, dedicated, and service-minded. It also caused me to wonder about the inherent sacredness found in his work (and other kinds of work as well). Think about it – the role of his work is that of serving others by delivering messages from one person to another. In the redemptive imagination, his work is that of an angel. Angels deliver messages. That is important work. That is sacred work. I believe this exercise in imagination can apply to most jobs. Think about a certain job and you can see the shadow of heaven behind it. Doctors bring healing. Lawyers and judges seek justice. Financial advisors help people steward resources. Street sweepers provide sanitation, safety, and beauty. The list goes on. Of course, any of these jobs (yours and mine included) can be abused for evil. But as Christians I believe we are called to be the ambassadors of the redemptive work of heaven in whatever work we find ourselves on this earth.
1 Peter 4:10
We have all been endowed with different gifts, talents, abilities, and resources in this world. Our calling is to steward those things to the ends of serving others and bringing glory to God, no matter the task. Listen to Peter’s first letter:
As each has received a gift, use it to serve one another, as good stewards of God’s varied grace: whoever speaks, as one who speaks oracles of God; whoever serves, as one who serves by the strength that God supplies—in order that in everything God may be glorified through Jesus Christ. To him belong glory and dominion forever and ever. Amen (1 Peter 4:10-11).
Theologian Frederick Buechner said it this way: “The place God calls you to is the place where your deep gladness and the world’s deep hunger meet.”[iii] And you may recall the film Chariots of Fire, in which the Olympic runner and believer in Christ Eric Liddell said, “[God] made me fast and when I run I feel his pleasure.”[iv] He was speaking to his sister, who wanted him to become a missionary to China. He did eventually serve in China, but he wanted to make a point to his sister that for him, competitive running was just as sacred a calling as serving as a missionary in China. He ran unto the Lord.
Bezalel Made the Ark
What does that look like in your daily work, whatever it may be? How can you view your daily endeavors as unto the Lord? We find clues in our main passage today – the story of the artist Bezalel. Bezalel was the head artisan for the tabernacle – the mobile sanctuary used by Moses and the Hebrew people as they wandered through the desert. Bezalel and his team fashioned the curtains, the lampstand, the priestly garments, the altars and other creative details of the sanctuary. But his most well-known piece is arguably the ark of the covenant itself – the cherubim adorned golden chest that contained the ten commandments and other relics important to the spiritual life of Israel. Here is the passage from Exodus 35:
30 Then Moses said to the people of Israel, “See, the Lord has called by name Bezalel the son of Uri, son of Hur, of the tribe of Judah; 31 and he has filled him with the Spirit of God, with skill, with intelligence, with knowledge, and with all craftsmanship, 32 to devise artistic designs, to work in gold and silver and bronze, 33 in cutting stones for setting, and in carving wood, for work in every skilled craft (Ex 35:30-33).
This is an example of God calling someone to specific work in the Old Testament. It displays that there are multiple meanings of calling in Scripture, depending on the context. For example, the primary calling of all believers is to, as Dietrich Bonhoeffer said, “belong wholly” to Jesus Christ.[v] In fact, when Paul opens his letter to the church in Rome, he plainly says, “And you also are among those who are called to belong to Jesus Christ” (Rom 1:6, NIV). But we also see God calling people to specific tasks and roles in Scripture, as exemplified here in the story of Bezalel. God called Bezalel to be an artist. God gifted him with the necessary talents and skills to fulfill his calling. And part of his calling as an artist was to fashion the ark of the covenant.
This is also the first time in Scripture that someone is said to be filled with the Spirit of God, which I find very interesting.[vi] It is the first time the specific verb for “filled”[vii] appears in relation to the Spirit of God. After Bezalel and his colleagues crafted the artistic elements for the tabernacle, Moses hosted a bit of a grand opening service for this tent of meeting. When he did so, the text says, “Then the cloud covered the tent of meeting, and the glory of the Lord filled the tabernacle” (Ex 40:34). And that was the same Hebrew verb for “filled” as the one used for Bezalel’s filling of the Spirit.[viii]Thus, the work of the Spirit-filled artisan filled the sanctuary that would then be filled with the Spirit of God himself. God is at once the beginning, middle, and end of the work of our hands.
In fact, if you read all the way near the end of Exodus, you will find that Bezalel and his artist collective also made the garments for the priests (Aaron and his sons), including a golden crown for Aaron. Bezalel’s team etched an inscription in the crown: “Holy to the Lord.” What if we as Christians could follow in the example of Bezalel and metaphorically etch “Holy to the Lord” on everything that passes through our hands in our daily work?
I asked a moment ago what this might look like for our working lives in the 21st Century. And when I say “working lives,” I’m not talking only about traditional nine-to-five work that involves a paycheck (though it includes that too). I’m also talking about raising children, caring for elderly parents, volunteerism, and pretty much any endeavor in life that involves creating things, serving others, or otherwise making order out of the chaos of life. How can we consecrate our work unto the Lord and let the Holy Spirit fill the work of our hands in all we do? Allow me an example from a ventriloquist friend of mine.
Yes, when you’re a juggler like me you have lots of weird friends, including ventriloquists. Oftentimes circus people like us feel inadequate or insignificant in the grand scheme of life. What do we really have to offer? Does our work matter? Is there anything remotely sacred about the absurd? We tend to think so. One day, my friend Gary did some visitation rounds at his local children’s hospital. He’s a believer, but he wasn’t preaching to or praying with patients in the traditional definition of those terms. He was simply going in and doing little puppet acts for the children to bring joy and laughter in an otherwise difficult situation for them and their families. Gary visited a quiet little boy named Tommy. Gary did a few banter jokes with his puppet: “…I can’t believe you would say something like that. If you were my child, I’d give you poison” to which the puppet replied, “If I was your child, I’d take the poison!” Tommy suddenly broke his silence and pointed at the puppet: “I really like him!” Gary then recounted the powerful moment that followed, and I quote Gary here:
And then the room…something changes in the room. And somebody comes over and grabs my arm and says, ‘Keep him talking!’ So, I have the puppet say, ‘So what’s your name?’… ‘My name is Tommy,’ or whatever it was. So that turns out, the little boy had not said anything for months. So now the kid is talking to the ventriloquist puppet. So now the people are saying, like, whispering in my ear, ‘Ask him if it hurts.’ You know, [in puppet voice] ‘Does it hurt?’… [Tommy replies], ‘Yes.’ [end quote]
Gary said they then did this whole back-and-forth conversation between the doctor and Tommy with Gary and his puppet as the intermediaries. Gary and his God-given talent built a bridge that no one else could. Where doctors, nurses, and who knows how many other people were unable to get through to this suffering child, the puppet could. God had gifted Gary with skills that the world may view as childish in order to facilitate giving voice to a voiceless child. That is what I view as a sacred calling. That is a believer who does their work unto the Lord – faithfully administering the gifts he’s been given to serve others and ultimately to bring glory to God. And you never know when in your steadfast faithfulness to the call, God will do something miraculous right before your eyes.[ix]
When I was in college, I had the privilege of spending a semester studying abroad in Jerusalem. While there, I found opportunities to perform my juggling show at various venues. One was for a Palestinian elementary school in Bethlehem. The night before my show, I could hear gun and tank fire volleying between Jerusalem and Bethlehem – very close to where I was. It was the year 2000, and what came to be known as “The Second Intifada” was raging between the Israelis and the Palestinians. In the morning, the headmaster of the school came and picked me up at my school. On the way to the show, he drove me through a town that had suffered a lot of the destruction I had heard the night before. It was very sad – a big hole in a building from a rocket, people sweeping up glass in the street. We then went to the nearby school for my show. There was nothing extraordinary about my show. I performed some tricks and told some jokes. The children laughed and expressed joy. After the show, the headmaster thanked me for bringing a smile to their faces that day. He said, “They really needed that, because during recess, they play funeral.” Death was their day-to-day experience in the real world. My show was a brief interruption to their darkness and brought a glimmer of light to their day. You see, you never know when the work of your hands, no matter how insignificant it feels (I mean, how many things are more insignificant than juggling?), will touch other people in a way that brings a little bit of heaven to earth for them.
Every Square Inch
In closing, I want to invite you to think about your own daily work, whatever it may be. You may or may not see your daily work as your vocational calling. Maybe you’re still searching for what that is in your life. No matter where you are on that journey, I still believe we can consecrate our daily work unto the Lord as an offering of praise unto Him. We can ask for the Holy Spirit to fill us and fill our work with the light and life of God – so that others in the world may be served by our giftings, our talents, our skills, and our work. I wish I could have told my 15-year-old self that even in washing dishes for assisted living folks can I be the hands of Jesus….scrubbing, cleaning, praying, and worshipping through each load of the dishwasher. There was a 17th century monk known as Brother Lawrence. When he served in the kitchen as cook and dishwasher, he didn’t like it at first either. But he learned to enjoy the work when he saw it through the lens of doing “everything for the love of God, asking as often as possible for grace to do [the] work.”[x] We can, like Nestor the mailman, “do it all for Jesus.” Abraham Kuyper, who eventually became the Prime Minister of the Netherlands, said in a speech in 1880, “there is not a square inch in the whole domain of our human existence over which Christ, who is sovereign over all, does not cry: ‘Mine!’”[xi] Yes, Jesus is over every work, including the washing of dishes in a steaming kitchen at a retirement home when I was fifteen years old.
As Christians, we lay hands on missionaries and ministers as they go out into the fields of their vocational ministry, and we should. But what if we extended that prayer support into all fields of work? Below is a prayer I wrote as a corporate prayer of the people of God offering their daily work unto the Lord. I provide it here as one way in which the local church can offer commissioning prayers for people in all kinds of work:
We offer unto you our daily work.
Fill us with your Spirit.
Sanctify the work of our hands,
That our roles, positions, vocations, and labors,
Would be done for your glory.
May our endeavors serve the needs of those around us
And fill your earth with healing, justice, reconciliation, and love.
Help us to steward our callings,
That they may be an acceptable offering of praise back unto you.
[i] Martin Luther, “An Open Letter to The Christian Nobility of the German Nation Concerning the Reform of the Christian Estate.” First published 1520. Introduction and Translation by C. M. Jacobs. Works of Martin Luther: With Introductions and Notes. Volume II (Philadelphia, PA: A. J. Holman Company, 1915). Accessed Feb 27, 2020. http://www.iclnet.org/pub/resources/text/wittenberg/luther/web/nblty-03.html.
[ii] This quote comes from a speech by Dr. King to students at Barratt Junior High School in Philadelphia, PA in 1967. See https://youtu.be/kmsAxX84cjQ (quote starts at time-stamp 10:50) for the speech.
[iii] Buechner, Fredrick. 1993. Wishful Thinking: A Seeker’s ABC. Revised and Expanded. New York, NY: Harper Collins, p. 199.
[iv] The scriptwriter for Chariots of Fire, Colin Welland, should technically be credited with the quote. There is no source of Eric Liddell saying or writing this quote in real life. Welland said in a letter to an inquiry about the quote that he came up with it for the film. But he believed that it reflected how Eric Liddell felt. See https://www.veritesport.org/?page=welland for the source of this information, including a link to an image of Welland’s signed statement about the quote (Hugh Hudson, director. Chariots of Fire. Original screenplay by Colin Welland, 20th Century Fox, 1981).
[v] Dietrich Bonhoeffer. Ethics (New York, NY: Touchstone, 1995), p. 253.
[vi] Technically, the first time is the parallel passage to this one found in Exodus 31:1-11. The Hebrew term for “filled” in these passages is male (Strong’s 4390 and Goodrick-Kholenberger number 4848).
[vii] Hebrew male or mala (Strong’s 4390).
[ix] Jesse Joyner, “Holy Fools” (PhD Dissertation, Trinity International University, 2021), pp. 150-151. https://www.proquest.com/docview/2622316783/74D2F35035A24815PQ/1.
[x] This quote comes from Brother Lawrence’s friend, Joseph de Beaufort, in his description of Brother Lawrence (Brother Lawrence. The Practice of the Presence of God. Springdale, PA: Whitaker House, 1992, p. 12).
[xi] James D. Bratt, ed. Abraham Kuyper: A Centennial Reader (Grand Rapids, MI: Eerdmans, 1998), pp. 13, 461, 488.
The Joy of Teaching Circus Arts
Some people may think that the circus is a dying form of entertainment. But I am here to tell you that it is alive and well. Despite the recent closing of the legendary Ringling Brothers circus show, other iterations of the circus are on the rise. And the younger generation is picking up on this, opting to put their iPhones down and pick up some juggling props or hang from fabric silks attached to the ceiling. The circus is, and always will be, fun. The circus somehow connects to something deep in our souls, both as performers and as audience, that there is something such as wonder and amazement in the universe. And we can participate in that wonder by performing everything from ridiculous comedy to death-defying human feats.
Because the circus is bigger than any one person or performer, it is a joy to pass this legacy on to the next generation. We are just pilgrims in this world – and the art and culture we create is part of a larger story that strings from one century to the next. The circus arts were passed on to me from those who have gone before me and now I get to pass it on to those who will be here after me.
For the past two weeks, I was the juggling instructor at the second annual Circus Arts Camp in Richmond, VA (the only one of its kind in Virginia). Geared towards youth between the ages of 9-15, this camp teaches kids the skills of juggling, clowning, drama, silks, puppetry, hooping, stilt-walking, and more. I teamed up with other circus artists in Richmond (such as Heidi Rugg, Christopher Hudert, Magnolia Ocasio, and Heather Bailey) and we worked at transferring our skills to a new generation of circus performers.
Without further ado, I would like to show you some video clips and pictures of the campers doing what they do best – the circus! They may not have run away with the circus in a literal sense, but for two weeks, they did so with their hearts. I’m so proud of these young people!
Teaching kids to use their talents for good
When I was in elementary and middle school, I was small. I couldn’t keep up with the stronger kids in the popular sports like football and basketball. I was pushed around and bullied by the bigger kids.
Then I discovered a unique talent – juggling. While in fifth grade, my friend Tim taught me how to juggle three balls. I was fascinated by the process and challenge of juggling. I practiced every night after school for about two weeks and finally figured out how to juggle. But I didn’t stop at three. With the help of library books, other jugglers that I met along the way, and lots of practice, I worked my way up to five, six, and seven objects within a few more years.
Then came the high school variety show. I was still one of those “geek” kids who was never in the popular crowd. But my friends talked me into performing my juggling in front of my entire high school for this talent night. So I pulled out the machete juggling and the six-foot ladder balance. The crowd went nuts. I had finally discovered something that (1) I was good at and (2) brought joy to other people.
Frederick Buechner said, “The place God calls you to is the place where your deep gladness and the world’s deep hunger meet.”
Juggling is an activity that makes me feel alive in a different way than most things – like I was made to do it. And that activity is something different for every person.
But it doesn’t stop there. God gave us each different gifts and talents so that we can shine His light, share His love, bring peace where there is pain, bring goodness and joy to others….all to the glory of His name.
“Each of you should use whatever gift you have received to serve others, as faithful stewards of God’s grace in its various forms.” – 1 Peter 4:10, NIV
You see, we all have different gifts and strengths, which means we NEED one another. Your strengths fill in for my weaknesses and vice versa. That is why community is so important. In community, we are an unstoppable force of strengths for the greater good of the world.
Research has shown that there is a direct correlation between the use of people’s strengths in their jobs and the overall success of the organizations those people work for. In other words, the best organizations are the ones where most of the people use most of their gifts, talents, and strengths most of the time (see the Gallup C12 engagement survey).
So how can we teach and encourage kids to discover and use their talents for the greater good?
- Teach them about calling and vocation. Have discussions about how talents are God-given and that we can develop them through continued work and practice. Check out Visions of Vocation by Steven Garber and Kingdom Calling by Amy Sherman for more on these topics.
- Give children every opportunity you can to explore all the different kinds of subjects, activities, arts, and sports in the world. And do so in a way that allows children to freely choose the things they want to pursue in life. When we put the “toys” in front of them, they will pick their favorites and discover their passions and talents.
- Consider donating time and/or money to organizations that provide children with opportunities they would otherwise not have. Not all kids have the same amount of opportunities, so we as adults need to be aware of this discrepancy and do everything in our power to offer all children the opportunities to explore different activities in this world.
- Teach them about community and how we need one another in this life. Our strengths and talents fill in the gaps of weaknesses and challenges in others (and vice versa). When we come together in groups, teams, and communities, we become unstoppable forces.
- Lead kids in service projects. Kids love to serve. They want to serve. When they serve their communities for the greater good, they realize that they have gifts and talents to offer the world. Talk about how God gave us these gifts so that we can help others and bring glory to God.
What toy will be the next “fidget spinner”?
If you work with kids, then you saw the fidget spinner come and go this past summer. The popularity of this fad toy (which has actually been around for quite some time) peaked sometime in June 2017. But by July and August, it seemed that every child in North America had at least a dozen of them, if not, more. Their interest waned. And parents were tired of buying yet another metal and plastic spinny thingy.
Kids are kids. They will always find a new fad toy to enjoy every season. Sometimes that is driven by brilliant marketing campaigns by large toy companies (like the Pet Rock or Tickle-Me-Elmo) or simply by the interests of the children aided by the viral nature of social media (like the Fidget Spinner or the water bottle flipping craze).
I have come across three toys that I predict could be contenders for an upcoming viral fad. Only history will show if I get any of this right. But I have found some toys that are basic in design yet complex enough to capture one’s attention for hours on end. Here they are….
The amazing ball-on-string-on-wooden-stick toy that has an infinite array of possible tricks and variations. I have been aware of them for years but never spent much time with one until now. I have some basic tricks down but if you want to see ninja level, watch this video: https://www.youtube.com/watch?v=iFiiXkonsXY&t=228s
This small toy made of wood and ribbon has been around at least since the Colonial period in America. The segments roll downward and appear to magically transform themselves like a magic falling ladder. I’ve seen children and adults stare in mesmerization (is that a word?) at this very simple toy. Watch it here: https://www.youtube.com/watch?v=KiIpUUsIsVE
This is a stick toy that is weighted in such a way that it rolls and dances in different directions when you manipulate it. Just watch this video to get the gist of it: https://www.youtube.com/watch?v=K7TwE4Qv2nQ
These kids ran away with the circus…
I’m so proud of the first class of students of Camp Carnival RVA! This was the first circus arts camp of its kind ever in the state of Virginia. Every day for two weeks, these kids got to “run away” from home and join a variety of instructors who taught them the ins and outs of circus skills. Don’t worry, their parents/guardians dropped them off and picked them up at the end of each day.
One day, I was driving to the arts camp with my family in the car. Our six-year old asked, “Where are we going, Daddy?”
I said, “To my workshop.”
She said, “Where you build things?”
Then my wife chimed in and said, “Yes, where Daddy builds jugglers!”
I love Sarah’s answer. Myself and several other circus arts instructors had the privilege of building young circus artists. What a joy to share our passions with the younger generation and see the future of variety arts innovating and flourishing.
Here in Richmond, Virginia, there happens to be a large enough contingency of variety artists to sustain a camp like this. Heidi Rugg from Barefoot Puppets taught puppetry. Heather Bailey of Host of Sparrows Aerial Circus taught silks and aerial. Seasoned clown performer Christopher Hudert taught clowning. Natalie Kane of Circular Expressions led the students in hooping. And yours truly got to teach juggling and diabolo workshops. The day camp consisted of classes in the various arts and culminated with a demonstration of skills for the parents on the final day of camp.
Enjoy some pics of camp!
Fidget Spinner Bible Lesson
So here’s a way to teach a Bible lesson using a fidget spinner….
What Really Lasts?
Bring and show off as many of these fad toys as you can find (show pictures if you don’t have the actual toy):
- the hula hoop
- Lincoln Logs
- the pet rock
- the Rubix Cube
- the slap bracelet
- Beanie Babies
- Super Soakers
- Razor Scooter
- Silly Bandz
- the water bottle flip
- and now……the fidget spinner!!!
Then, if you have some skills, show off a few fidget spinner tricks or have a volunteer come up and do some.
Then read Isaiah 40:6b-8:
“All people are like grass, and all their faithfulness is like the flowers of the field. 7 The grass withers and the flowers fall, because the breath of the Lord blows on them. Surely the people are grass. 8 The grass withers and the flowers fall, but the word of our God endures forever” (NIV).
So the Bible says that our human existence here on earth is very temporary. People come and people go. The same can be said about the things we make – buildings, clothes, airplanes, and even toys! All these toys come and go. Their fame will only last for a short time. Fads come and go, but the Word of the Lord stands forever….
You see, God is eternal. He has no beginning and no end. The same can be said about His Word – which we have in the form of the Bible.
Don’t put your trust and your joy and your excitement in these temporary man-made things (like fads), put your hope and passion into God and His Word. His Word will last forever, long past these toy fads. So let’s learn from Him and His Word!
Feel free to show this video as part of the lesson – I combine the fads of 2016 and 2017!
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Want to learn how to juggle? Here are the basics!….
Awesome Crowd Game Ideas
I do a lot of large group events. I’m always on the lookout for games that are fun and easy for huge crowds. When people come together in large groups, there is a lot of potential energy that can be tapped in the form of socialization, laughter, competition, and shared human experiences.
So here are some of the resources I have found to be particularly helpful in leading fun experiences for crowds of people:
This organization creates and sells (at super affordable rates) crowd games that you can run on your computer and then project on the big screen. Browse around at all they have to offer – http://crowdcontrolgames.com/
Crowd Thumb Wrestling
How about crowd thumb wrestling?! Invented by monochrom and officially called “massive Multiplayer Thumb-Wrestling.” Here is that game led by a game designer on the TED stage….
You can also lead your crowd in making the sounds of a thunderstorm. This video shows a choir on stage doing it. But you can just as easily lead an audience of any size in the same exercise:
Group Games Galore!
I have also compiled a blog post category of group games over the years on this blog. There are over twenty entries and growing, so read through all these great crowd game ideas such as “Heads or Tails” and “Bring Me This.” Click here.
The Thanksgiving Tree
My wife and I had a debate a few nights ago over the meaning of the Christmas Tree. What ensued was a discussion about the “why” behind traditions that we often just take for granted. She doesn’t want to do things just because “we’ve always done it that way.” She likes to know the meaning and purpose in things. And she wants that meaning to be important. So she decided to go ahead and start a new tradition in our house – a tradition with meaning. She made a Thanksgiving Tree.
I did not know this was a thing. But apparently it is. And Sarah made her own version of it. She asked me to find some sticks and branches outside. So I fetched some and put them in a jar. Then she and Kezzie cut leaf shapes out of fall-colored construction paper (orange, brown, etc.). Finally, everyone wrote something they were thankful for on the leaf cut-outs and hung it on the tree.
We had so much fun and it gave us a chance to remember all the things we are so thankful for. It also looks good in our foyer. I guess we’ve started a bit of a tradition in our house.
Hamilton: An American Musical – Chicago Review
Last night, I had the priviledge of seeing Lin-Manuel Miranda’s Tony-award winning musical Hamilton in it’s Chicago iteration. I have been familiar with the soundtrack for months and I will say that the opportunity to view the show live adds several dimensions to the show that will not let “Hamilfans” down.
If you are not familiar with Hamilton: An American Musical, I would suggest you take a listen and find out for yourself what all the hype is about. Miranda slays it with poetic lyricism not seen in musical theater since Sondheim. He won a Pulitzer Prize for his work, among plenty of other accolades. Where else can you find someone who rhymes “abolitionist” with “show me where the ammunition is“? Or take this lyric from “Guns and Ships”:
How does a ragtag volunteer army in need of a shower
Somehow defeat a global superpower?
How do we emerge victorious from the quagmire
Leave the battlefield waving Betsy Ross’s flag higher?
Miranda is not only a brilliant lyricist, but he crafted an entire show (along with director Thomas Kail, choreographer Andy Blankenbuehler, and orchestrator Alex Lacamoire) that merges today’s pop culture lingua franca of Hip-Hop with a lesser-known but incredibly fascinating story in American history. It is a story of a poor orphan from the Caribbean who fights and writes his way up to Founding-Father status during the birth of our nation. His success story then turns into tragedy and the audience is left pondering life’s deep concepts such as the seemingly indiscriminate nature of love, life, death, war, and “who tells your story.” There is comedy, espionage, adultery, forgiveness, and of course, multiple pistol duels. One of the most evident things about the show is the ethnic diversity of the cast. Instead of casting all-white Founding Fathers like the now decades-old musical 1776, Miranda casts the players to represent what America is today – a colorful mix of heritages that show how far we’ve come since the late 18th Century. It is at the same time a well-played subversive move in the performing arts, indicating that we still have a long way to go in many respects in terms of Jefferson’s ideals of equality and liberty in our nation.
Regarding the Chicago show, I recently read an interview with Lin-Manuel Miranda in the Delta Sky Magazine. In it, he says that “the kid is off to college,” which essentially means that Hamilton has now matured to the point that it can thrive without his direct nightly participation. He was right. In the opening song, I will admit that I felt slightly betrayed because the voices and actors on stage were not the original Broadway cast (which I knew going into this). But it took only a matter of minutes to hear these new voices come into their own and rock the stage in the their own right.
Ari Afsar, who plays Eliza Hamilton, was one of the highlights of the show. Flanked by the experienced Karen Olivio (Angelica) and Samanthan Marie Ware (“and Peggy” :), Ari anchored the strong and beautiful harmony of the Schulyer sisters. Their powerful performances in “The Schuyler Sisters”, “Helpless”, and “Satisfied” takes your breath away. Later in the show, when Afsar sings the slow-burn lament aptly named “Burn,” you are caught in a trance as she plays with real fire on stage and nails the deep sense of betrayal in both her vocals and acting.
An unexpected standout performer was Chris De’Sean Lee. He just finished his Junior year at Belmont University and is now Marquis de Lafayette and Thomas Jefferson in this Hamilton Chricago show. I love Daveed Diggs in the Broadway cast for this role and you would think that he could never be upstaged. But in my opinion, Lee did just as good or better. His French accent was way more believable than Diggs’. And though I never saw Diggs on stage, Lee filled every last bit of the role you would expect in terms of his flair, animated personality, stage presence, and “working the crowd.”
Miguel Cervantes fills the tough shoes of Miranda’s Hamilton extremely well. He shows you that he is just like his country: “young, scrappy, and hungry” with his commanding vocals and articulate rapping (which is necessary if the audience wants to understand all the creative words in the songs). Equally strong was Joshua Henry, who played a convincing Aaron Burr – probably the most difficult character to portray because of his ongoing internal struggle for meaning and external fight for notoriety.
The lighting design was a pleasant treat that one can only experience in the live show. For example, when Angelica sings about Benjamin Franklin’s eureka moment with his key, kite, and “light,” the upper stage flashes a set of lights right on cue with the words. The lights also work in some shadow magic when Washington makes the Biblical reference to sitting under his own vine. But the best lighting of all comes in Hamilton’s song, “Hurricane.” And I’ll just say that you have to see the show yourself to see what the lighting does in that song because you’re already spoiled with the fact that Burr shoots Hamilton. I don’t want to spoil everything for you 🙂
Another dimension one can only see live is the choreography. The ensemble rocked it with a nearly three-hour aerobic display of “all-in” modern and and Hip-Hop dance to tell the story. They were not merely eye candy to fill the stage. While the lead characters told the story in song and acting, the ensemble displayed the narrative by dancing (and singing) the transcendental world of emotions, feelings, consciousness, and even conscience of the characters. Of all the aspects of the show, that was the dimension that surprised me the most and the one that will stick with me the longest as I reflect on the depth of this work of art.
Finally, I cannot review the show without mentioning the brilliant comic relief performance by Alexander Gemignani, who plays King George. His subtle mannerisms and pious patronizing were perfect in the role of a nihilistic monarch who sings the blues of losing America like a pouty ex-boyfriend singing a break-up song.
In summary, go listen to the soundtrack. Then find out when the tour comes to your city. And get on the ticket-seller e-mail notification list, because you’ll have about a two-hour window to secure your ticket for a show eight months ahead before the rest of your city snatches a ticket. You will want to be in the room where it happens.
Note: Since this blog focuses on topics surrounding kids and families, I’ll add an addendum here that I suggest that parents pre-screen the lyrics and thematic elements of the show before playing it and/or attending the show with their children (the album has explicit warnings). There is language, violence, and adult themes such as the adulterous affair between Alexander Hamilton and Maria Reynolds.
Cutting Down Old Trees
I went on a camping trip with some friends this past weekend at a local state park. We went on a hike through the woods and at one point we came into a clearing where about five acres of large-growth pines and other trees had been bulldozed – on state park property. It was quite an eyesore on such a tranquil hike, so one of my friends asked the park ranger about the clearing.
He said that every so often, the trees can grow so old and tall that they suffocate any new and fresh growth that is needed for a diverse and healthy ecosystem. So there comes a time where it is better to get rid of the old in order to make space for the new, fresh, and diverse growth.
And here is the profound point here: the new, fresh growth cannot come unless the old growth is torn down. You can’t have both.
That got me thinking about life and even the show that I perform. Are there things in my life or in my show that are “old growth”? Maybe something that I have worked on for years and am very proud of, but I over-value it and thus prevent myself from growing in new and exciting areas of my life and my show.
At one of my shows several years ago, I flew into Mississippi and my luggage (with all my show props) did not arrive in time for my show. That was only the second time it has ever happened to me in over a decade of full-time traveling and performing. What did I do? I had to get creative and perform for my waiting audience with whatever I could find nearby in the town of the event or at the venue. I grabbed chairs and ladders from the local church, fruit from the local grocery store (after paying for it, of course :). When I did my show, people loved it and nobody knew that I had performed without my “old growth” props. That show taught me something: that I do not NEED those tride and true items that I think are so necessary. In fact, it got me out of my box and forced me to get creative and come up with new tricks and ideas on the spot for a waiting audience. I have taken that attitude ever since – and my show has been more diverse and evolving than it has ever been before.
The old adage, “necessity is the mother of invention” is so true here. But in order for us to find new and exiting paths in our lives, we need to place ourselves in situations that force necessity upon us. I know that requires taking risks, but that is the only way we can grow. That might mean traveling, spending time with people you normally don’t spend time with, or removing a particular “sacred cow” in your life. Trust me, it will be worth it.